3D digital manufacturing technologies, materials, and artificial intelligence in art

Carla Joyce C. Nocheseda, Marielle Francesca A. Santos, Alejandro H. Espera, Rigoberto C. Advincula

Research output: Contribution to journalArticlepeer-review

Abstract

Additive manufacturing has been used in art restoration and conservation. Advantages include no direct contact and preserving fragile and rare objects. Long-term stability and aesthetics emphasize materials research. We curate examples highlighting 3D printing and materials in art conservation and creation. This prospective also connects materials choices, 3D digital technologies, and artificial intelligence. An increasing number of modern art pieces are now produced by 3D printing and are in many operations in museums worldwide. Whether creating modern or restoring classical art, a general protocol is now introduced, including future prospective and directions in the field. Graphical abstract: [Figure not available: see fulltext.].

Original languageEnglish
Pages (from-to)1102-1118
Number of pages17
JournalMRS Communications
Volume13
Issue number6
DOIs
StatePublished - Dec 2023

Funding

Part of this work was funded with effort by Rigoberto C. Advincula of the Center of Nanophase Materials Sciences (CNMS) a US Department of Energy Office of Science User Facility. We acknowledge technical support from Frontier Laboratories and Quantum Analytics. This work (or part of this work) was conducted in Oak Ridge National Laboratory Center for Nanophase Materials Sciences by Rigoberto C. Advincula, a US Department of Energy Office of Science User Facility.

FundersFunder number
Frontier Laboratories and Quantum Analytics
Office of Science

    Keywords

    • 3D printing
    • Alloy
    • Art
    • Artificial intelligence
    • Ceramic
    • Composite
    • Polymer

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